Arquivo mensal: novembro 2023

The way out of burnout (The Economist)

economist.com

The Economist

A psychoanalyst explains why for people feeling “burnt out”, simply trying to relax doesn’t always work

July 28, 2016


By Josh Cohen

A patient of mine named Elliot recently took a week off from his demanding job as a GP. He felt burnt out and badly needed to rest. The plan was to sleep late, read a novel, take the odd leisurely walk, maybe catch up on “Game of Thrones”. But somehow he found himself instead packing his schedule with art museums, concerts, theatre, meetings with friends in hot new bars and restaurants. Then there were the visits to the gym, Spanish lessons, some flat-pack furniture assemblage.

During the first of his twice-weekly evening sessions, he wondered if he shouldn’t slow down. He felt as exhausted as ever. Facebook and Twitter friends were joking about how it all sounded like harder work than work. “I’m trying to figure out how I’ve managed to be doing so much when I didn’t want to be doing anything. Somehow not doing anything seems impossible. I mean, how can you just…do nothing?!”

When Elliot protests that he can’t just do nothing, he is seeing and judging himself from the perspective of a culture that looks with disdain at anything that smacks of inactivity. Under constant self-scrutiny as to whether he is being sufficiently productive, he feels ashamed when he judges himself to have come up short in this regard. But this leaves him at once too drained to work and unable to rest.

As I describe in my feature for the August/September issue of “1843”, this is the basic predicament of the burnout sufferer: a feeling of exhaustion accompanied by a nervy compulsion to go on regardless is a double bind that makes it very difficult to know how to cope. Burnout involves the loss of the capacity to relax, to “just do nothing”. It prevents an individual from embracing the ordinary pleasures – sleep, long baths, strolling, long lunches, meandering conversation – that induce calm and contentment. It can be counterproductive to recommend relaxing activities to someone who complains that the one thing they cannot do is relax.

So what does it take to recover the capacity to do nothing, or very little? I might be expected at this point to leap to psychoanalysis as an instant remedy. But psychoanalysis is emotionally demanding, time-consuming and often expensive. Nor does it work for everyone (a basic truth of all therapies, physical or mental).

In less severe cases of burnout, it is often the case that difficulties inducing nervous exhaustion are more external than internal. Time and energy may be drained by life events (bereavement, divorce, changes in financial status and so on) as well as the demands of work.

In such cases, it is worth turning in the first instance to more external solutions – cutting working hours as much as possible, carving out more time to relax or for contemplative practices such as yoga and meditation. This is as much a matter of discovering a remedy as the remedy itself. Merely listening and attending to the needs of the inner self as opposed to the demands of the outside world can have a transformative effect.

But such solutions will seem unrealistic to some sufferers both practically and psychologically. Practically in the sense that many of us are employed in sectors that demand punishing hours and unstinting commitment; psychologically in the sense that reducing working hours, and so taking oneself out of the highest levels of the game, is likely to induce more rather than less anxiety in someone driven relentlessly to achieve more.

So while there are many means by which we can be helped to relax, the predicament of severe burnout is precisely that you cannot be helped to relax. Where burnout has psychological roots, psychoanalysis may be able to help.

One way is its “form”. The nervous exhaustion of burnout results from their enslavement to an endless to-do list packed with short- and long-range tasks. In a psychotherapy session, you sit or lie down and begin to talk with no particular agenda, letting yourself go wherever your minds takes you. For portions of a session you might be silent, discovering the value of simply being with someone, without having to justify or account for yourself, instilling an appreciation for what the American psychoanalyst Jonathan Lear calls “mental activity without a purpose.”

Another way is the “content” of psychoanalysis. Talking to a therapist can help us discover those elements in our own history and character that make us particularly vulnerable to specific difficulties such as burnout. In my feature for “1843”, I discuss how two patients came from early childhood to associate their worth and value with their levels of achievement. Under constant pressure from within to “be their best”, they were liable to feel empty and exhausted when, inevitably, they felt they’d failed to live up to this ideal self-image.

This was very much the case for Elliot, and goes some way to explaining why the idea of “just doing nothing” so scandalised him. Even today, as they approach old age, Elliot could never imagine his parents putting their feet up talking, reading or watching TV. He remembers family meals taken quickly, with one or both parents in a hurry to rush off to one commitment or another. His own life was heavily scheduled with homework and extra-curricular lessons, and he was never more forcefully admonished by either parent than when he was being “lazy”. “They were kind of compulsively active”, he said, “and made me feel it was shameful to waste time. You could imagine the seats of their chairs were rigged to administer a jolt of current if they sat on them for more than ten minutes.” Only now is he beginning to ask why they, and he in turn, are like this, and why being at rest for any length of time is equivalent in their minds to “wasting” it.

Insight like this can be helpful to challenge our unthinkingly internalised habits of working and our dogmas as to what constitutes a “productive” use of our time. It encourages us to think about what kind of life would be worth living, rather than simply living the life we assume we’re stuck with.


Is there more to burnout than working too hard?

The Economist

Josh Cohen argues that the root of the problem lies deeper than that


June 29, 2016

By Josh Cohen

When Steve first came to my consulting room, it was hard to square the shambling figure slumped low in the chair opposite with the young dynamo who, so he told me, had only recently been putting in 90-hour weeks at an investment bank. Clad in baggy sportswear that had not graced the inside of a washing machine for a while, he listlessly tugged his matted hair, while I tried, without much success, to picture him gliding imperiously down the corridors of some glassy corporate palace.

Steve had grown up as an only child in an affluent suburb. He recalls his parents, now divorced, channelling the frustrations of their loveless, quarrelsome marriage into the ferocious cultivation of their son. The straight-A grades, baseball-team captaincy and Ivy League scholarship he eventually won had, he felt, been destined pretty much from the moment he was born. “It wasn’t so much like I was doing all this great stuff, more like I was slotting into the role they’d already scripted for me.” It seemed as though he’d lived the entirety of his childhood and adolescence on autopilot, so busy living out the life expected of him that he never questioned whether he actually wanted it.

Summoned by the bank from an elite graduate finance programme in Paris, he plunged straight into its turbocharged working culture. For the next two years, he worked on the acquisition of companies with the same breezy mastery he’d once brought to the acquisition of his academic and sporting achievements. Then he realised he was spending a lot of time sunk in strange reveries at his workstation, yearning to go home and sleep. When the phone or the call of his name woke him from his trance, he would be gripped by a terrible panic. “One time this guy asked me if I was OK, like he was really weirded out. So I looked down and my shirt was drenched in sweat.”

One day a few weeks later, when his 5.30am alarm went off, instead of leaping out of bed he switched it off and lay there, staring at the wall, certain only that he wouldn’t be going to work. After six hours of drifting between dreamless sleep and blank wakefulness, he pulled on a tracksuit and set off for the local Tesco Metro, piling his basket with ready meals and doughnuts, the diet that fuelled his box-set binges.

Three months later, he was transformed into the inertial heap now slouched before me. He did nothing; he saw no one. The concerned inquiries of colleagues quickly tailed off. He was intrigued to find the termination of his employment didn’t bother him. He spoke to his parents in Chicago only as often as was needed to throw them off the scent. They knew the hours he’d been working, so didn’t expect to hear from him all that much, and he never told them anything important anyway.

Can anyone say they’ve never felt some small intimation of Steve’s urge to shut down? I certainly have, sitting glassy-eyed on the sofa at the end of a long working day. My listlessness is tugged by the awareness, somewhere at the edge of my consciousness, of an expanding to-do list, and of unread messages and missed calls vibrating unforgivingly a few feet away. But my sullen inertia plateaus when I drop my eyes to the floor and see a glass or a newspaper that needs picking up. The object in question seems suddenly to radiate a repulsive force that prevents me from so much as extending my forearm. My mind and body scream in protest against its outrageous demand that I bend and retrieve it. Why, I plead silently, should I have to do this? Why should I have to do anything ever again?

We commonly use the term “burnout” to describe the state of exhaustion suffered by the likes of Steve. It occurs when we find ourselves taken over by this internal protest against all the demands assailing us from within and without, when the momentary resistance to picking up a glass becomes an ongoing state of mind.

Burnout didn’t become a recognised diagnosis until 1974, when the German-American psychologist Herbert Freudenberger applied the term to the increasing number of cases he encountered of “physical or mental collapse caused by overwork or stress”. The relationship to stress and anxiety is crucial, for it distinguishes burnout from simple exhaustion. Run a marathon, paint your living room, catalogue your collection of tea caddies, and the tiredness you experience will be infused with a deep satisfaction and faintly haloed in smugness – feelings that confirm you’ve discharged your duty to the world for at least the remainder of the day.

The exhaustion experienced in burnout combines an intense yearning for this state of completion with the tormenting sense that it cannot be attained, that there is always some demand or anxiety or distraction which can’t be silenced. In his 1960 novel “A Burnt-Out Case” (the title may have helped bring the term into general circulation), Graham Greene parallels the mental and spiritual burnout of Querry, the protagonist, with the “burnt-out cases” of leprosy he witnesses in the Congo. Querry believes he’s “come to the end of desire”, his emotions amputated like the limbs of the lepers he encounters, and the rest of his life will be endured in a state of weary indifference.

But Querry’s predicament is that, as long as he’s alive, he can’t reach a state of impassivity; there will always be something or someone to disturb him. I frequently hear the same yearning expressed in my consulting room – the wish for the world to disappear, for a cessation of any feelings, whether positive or negative, that intrude on the patient’s peace, alongside the painful awareness that the world’s demands are waiting on the way out.

You feel burnout when you’ve exhausted all your internal resources, yet cannot free yourself of the nervous compulsion to go on regardless. Life becomes something that won’t stop bothering you. Among its most frequent and oppressive symptoms is chronic indecision, as though all the possibilities and choices life confronts you with cancel each other out, leaving only an irritable stasis.

Anxieties about burnout seem to be everywhere these days. A quick glance through the papers yields stories of young children burnt out by exams, teenagers by the never-ending cacophony of social media, women by the competing demands of work and motherhood, couples by a lack of time for each other and their family life.

But while it may seem to be a problem rooted in our cultural circumstances, burnout has a history stretching back many centuries. The condition of melancholic world-weariness was recognised across the ancient world – it is the voice that speaks out in the biblical book of Ecclesiastes (“All is vanity! What does a man gain by all the toil at which he toils under the sun?”), and diagnosed by the earliest Western medical authorities Hippocrates and Galen. It appears in medieval theology as acedia, a listless indifference to worldly life brought about by spiritual exhaustion. During the Renaissance, a period of relentless change, Albrecht Dürer’s 1514 engraving “Melancholia I” was the most celebrated of many images depicting man despondent at the transience of life.

But it was not until the second half of the 19th century that writers began to link this condition to the specific stresses of modern life. In 1879, the American neurologist George Beard published “Neurasthenia: (nervous exhaustion) with remarks on treatment”, identifying neurasthenia as an illness endemic to the pace and strain of modern industrial life. The fin-de-siècle neurasthenic, in whom exhaustion and innervation converge, uncannily anticipates the burnout of today. They have in common an overloaded and overstimulated nervous system. A culture of chronic overwork is prevalent within many professions, from banking and law to media and advertising, health, education and other public services. A 2012 study by the University of Southern California found that every one of the 24 entry-level bankers it followed developed a stress-related illness (such as insomnia, alcoholism or an eating disorder) within a decade on the job. A much larger 2014 survey by eFinancialCareers of 9,000 financial workers in cities across the globe (including Hong Kong, London, New York and Frankfurt), showed bankers typically working between 80 and 120 hours a week, the majority feeling at least “partially” burnt out, with somewhere between 10% and 20% (depending on the country) describing themselves as “totally” burnt out.

A young banker who sees me in the early morning, the only available slot in her working day, often leaves a message at 3am to let me know she won’t make it as she’s only just leaving the office – a predicament especially bitter because her psychoanalytic session is the one hour in the day in which she can switch off her phone and find some respite from her job. Increasing numbers of my patients say they value a session simply because it provides a rare chance for a moment of stillness freed from the obligation to talk.

A walk in the country or a week on the beach should, theoretically, provide a similar sense of relief. But such attempts at recuperation are too often foiled by the nagging sense of being, as one patient put it, “stalked” by the job. A tormenting dilemma arises: keep your phone in your pocket and be flooded by work-related emails and texts; or switch it off and be beset by unshakeable anxiety over missing vital business. Even those who succeed in losing the albatross of work often quickly fall prey to the virus they’ve spent the previous weeks fending off.

Burnout increases as work insinuates itself more and more into every corner of life – if a spare hour can be snatched to read a novel, walk the dog or eat with one’s family, it quickly becomes contaminated by stray thoughts of looming deadlines. Even during sleep, flickering images of spreadsheets and snatches of management speak invade the mind, while slumbering fingers hover over the duvet, tapping away at a phantom keyboard.

Some companies have sought to alleviate the strain by offering sessions in mindfulness. But the problem with scheduling meditation as part of that working day is that it becomes yet another task at which you can succeed or fail. Those who can’t clear out their mind need to try harder – and the very exercises intended to ease anxiety can end up exacerbating it. Schemes cooked up by management theorists since the 1970s to alleviate the tedium and tension of the office through what might be called the David Brent effect – the chummy, backslapping banter, the paintballing away-days, the breakout rooms in bouncy castles – have simply blurred the lines between work and leisure, and so ended up screwing the physical and mental confines of the workplace even tighter.

But it is not just our jobs that overwork our minds. Electronic communication and social media have come to dominate our daily lives, in a transformation that is unprecedented and whose consequences we can therefore only guess at. My consulting room hums daily with the tense expectation induced by unanswered texts and ignored status updates. Our relationships seem to require a perpetual drip-feed of electronic reassurances, and our very sense of self is defined increasingly by an unending wait for the verdicts of an innumerable and invisible crowd of virtual judges.

And, while we wait for reactions to the messages we send out, we are bombarded by alerts on our phones and tablets, dogged by apps that measure and share our personal data, and subjected to an inundation of demands to like, retweet, upload, subscribe or buy. The burnt-out case of today belongs to a culture without an off switch.

In previous generations, depression was likely to result from internal conflicts between what we want to do and what authority figures – parents, teachers, institutions – wish to prevent us from doing. But in our high-performance society, it’s feelings of inadequacy, not conflict, that bring on depression. The pressure to be the best workers, lovers, parents and consumers possible leaves us vulnerable to feeling empty and exhausted when we fail to live up to these ideals. In “The Weariness of the Self” (1998), an influential study of modern depression, the French sociologist Alain Ehrenberg argues that in the liberated society which emerged during the 1960s, guilt and obedience play less of a role in the formation of the self than the drive to achieve. The slogan of the “attainment society” is “I can” rather than “I must”.

A more prohibitive society, which tells us we can’t have everything, sets limits on our sense of self. Choose to be a bus conductor and you can’t be a concert pianist; a full-time parent will never be chairman of the board. In our attainment society, we are constantly told that we can be, do and have anyone or anything we want. But, as anyone who’s tried to decide between 22 nearly identical brands of yoghurt in an American organic hypermarket can confirm, limitless choice debilitates far more than it liberates.

The depressive burnout, Ehrenberg suggests, feels incapable of making meaningful choices. This, as we discovered in the course of analysis, is Steve’s predicament. In his emotionally chilly childhood home, the only attention he received from his parents was their rigorous monitoring of his schoolwork and extra-curricular activities. In his own mind, he was worth caring about only because of his achievements. So while he accrued awards and knowledge and skills, he never learned to be curious about who he might be or what he might want in life. Having unthinkingly acquiesced in his parents’ prescription of what was best for him, he simply didn’t know how to deal with, or even make sense of, the sudden, unexpected feeling that the life he was living wasn’t the one for him.

Steve presents an intriguing paradox: what appears from the outside to have been a life driven by the active pursuit of goals feels to him to be oddly inert, a lifeless slotting-in, as he puts it, to a script he didn’t write. “Genuine force of habit”, suggested the great philosophical misanthrope Arthur Schopenhauer in 1851, might appear to be an expression of our innate character, but “really derives from the inertia which wants to spare the intellect the will, the labour, difficulty and sometimes the danger involved in making a fresh choice.” Schopenhauer has a point. Steve is coming to understand that his life followed the shape it did not from the blooming of his deepest desires but because he never bothered to question what he had been told.

“You know”, he said to me one day, “it’s not like I want to be this pathetic loser. I want to get up tomorrow, get back in the gym, find a new job, see people again. But it’s like even as I say I’m gonna do all this, some voice in me says, ‘no I’m not, no way am I doing that.’ And then I can’t work out if I feel depressed or relieved, and the confusion sends me crazy.”

I suggested to him that he was in this position because he had realised that he had almost no hand in choosing his life. His own desire was like a chronically neglected muscle; perhaps our job was to nurture it for the first time, to train it for the task of making basic life choices.

The same predicament arose in a different, perhaps subtler way in Susan, a successful music producer who first came to see me in the thick of an overwhelming depressive episode. She had come from Berlin to London six months previously to take up a new and prestigious job, the latest move in an impressive career that had seen her work in glamorous locations across the world.

She had grown up in a prosperous and loving family in a green English suburb. Unlike Steve, her parents had been – and continued to be – supportive of the unexpected professional and personal path their daughter had carved for herself. But they resembled Steve’s parents in one respect: the unvarying message, communicated through the course of her childhood, that she had the potential to be and do anything. The emotional and financial investment they made in her musical and academic activities showed their willingness to back up their enthusiasm with actions. While Susan appeared to follow her own chosen path, there came a point where her parent’s unstinting support and encouragement made it difficult to identify where their wishes stopped and hers began.

For all their differences, Steve’s and Susan’s parents were alike in protecting the child from awareness of the limits imposed by both themselves and the world. Susan would complain that the present, the life she was living moment to moment, felt unreal to her. Only the future really mattered, for that was where her ideal life resided. “If I just wait a little longer”, she would remark in a tone of wry despondency, “there’ll be this magically transformative event and everything will come right.”

This belief, she had come to realise, had taken a suffocating hold on her life: “the longer I live in wait for this magical event, the more I’m not living this life, which is sad, given it’s the only one I’ve got.” Forever anticipating the arrival of the day that would change her life for ever, Susan had come to view her current existence with a certain contempt, a travesty of the perfect one she might have. Her house, her job, the man she was seeing – all of these were thin shadows of the ideal she was pursuing. But the problem with an ideal is that nothing in reality can ever be remotely comparable to it; it tantalises with a future that can never be attained.

Feeling exhausted and emptied by this chase, she would retreat into two contradictory impulses: the first was a compulsion to work, asking the hydra-headed beast of the office to eat up all her time and mental energy. But alongside this, frequently accompanied by chronic insomnia, was a yearning for the opposite. She would fantasise in our sessions about going home and sleeping, waking only for stretches of blissfully catatonic inactivity over uninterrupted, featureless weeks. Occasionally she managed to steal the odd day to veg out, only for a rising panic to jolt her back into work. In frenzied activity and depressive inertia, she found a double strategy for escaping the inadequacies of the present.

Susan’s depressive exhaustion arose from the disparity between the enormous effort she dedicated to contemplating her future and the much smaller one she devoted to discovering and realising her desires in the present. In this regard, she is the uncanny mirror image of Steve: Susan was frozen by the suspicion there was always something else to choose; Steve was shackled by the incapacity to choose at all.

Psychoanalysis is often criticised for being expensive, demanding and overlong, so it might seem surprising that Susan and Steve chose it over more time-limited, evidence-based and results-oriented behavioural therapies. But results-oriented efficiency may have been precisely the malaise they were trying to escape. Burnout is not simply a symptom of working too hard. It is also the body and mind crying out for an essential human need: a space free from the incessant demands and expectations of the world. In the consulting room, there are no targets to be hit, no achievements to be crossed off. The amelioration of burnout begins in finding your own pool of tranquillity where you can cool off.■

In this article, the clinical cases have been disguised, and the names changed, to protect confidentiality.

Read more: Josh Cohen explains how he helps his patients find the way out of burnout

ILLUSTRATIONS IZHAR COHEN

Dodô Azevedo: Guimarães Rosa explica os horrores de 2023 (Folha de S.Paulo)


Folha de S.Paulo

12.11.2023

“Todos estão loucos, neste mundo? Porque a cabeça da gente é uma só, e as coisas que há e que estão para haver são demais de muitas, muito maiores diferentes, e a gente tem de necessitar de aumentar a cabeça, para o total. Só se pode viver perto de outro, e conhecer outra pessoa, sem perigo de ódio, se a gente tem amor. Qualquer amor já é um pouquinho de saúde, um descanso na loucura. Todo caminho da gente é resvaloso. Mas, também, cair não prejudica demais —a gente levanta, a gente sobe, a gente volta!”

Reflete Riobaldo Tartarana, mistura de jagunço, miliciano, soldado e terrorista, protagonista de “Grande Sertão: Veredas”, de Guimarães Rosa. Trata-se de um sujeito atormentado com a natureza horrível do ser humano. A obra-prima decolonial do escritor brasileiro é sobre o caráter indomável e não binário do bem e do mal e a surpresa de que a virtude e o indefensável não são atributos do divino. São constituintes e condições da mente humana.

Mais um trecho do livro: “O diabo vige dentro do homem, os crespos do homem —ou é o homem arruinado, ou o homem dos avessos. Solto, por si, cidadão, é que não tem diabo nenhum”. Há um vício acadêmico em domesticar o próprio texto de Rosa, relacionando o que foi escrito à época ao país, à língua.

Não. Como “Ulysses”, do irlandês Joyce, ou “O Bebedor de Vinho de Palma”, do nigeriano Amos Tutuola, “Grande Sertão: Veredas” não pertence a um tempo ou espaço. Ou melhor, transforma, como os dois romances citados, tudo no tempo e espaço proposto na obra.

Em Guimarães Rosa, tudo é sertão. Principalmente dentro de nós —a grande contribuição ontológica e terapêutica do livro para quem, como tanta gente em 2023, anda abismado, chocado e confuso com os horrores que somos capazes de cometer. A recém-lançada adaptação de “Grande Sertão: Veredas” para o cinema, dirigida por Bia Lessa, chama-se “O Diabo na Rua, no Meio do Redemunho”. É o que nós somos, é onde estamos. Procurando nos posicionar diante fatos e narrativas, como o miliciano diletante Riobaldo.

Segue outro trecho: “Eu, quem é que eu era? De que lado eu era? Zé Bebelo ou Joca Ramiro? Hermógenes ou Reinaldo… De ninguém eu era. Eu era de mim. Eu, Riobaldo. Medo. Medo que maneia”. Tentamos nos vitimizar, procurando convencer a nós mesmos que somos consumidos pelo medo. Mas o que acontece é o contrário. Nós consumimos o medo como dependentes químicos que todos somos dele.

O medo é uma commodity que a tudo impulsiona. A mídia, a indústria de remédios, a indústria de armamentos, religiões, ideologias. É com prazer escondido que procuramos “o meio do redemunho”. Entender isso é o que Guimarães Rosa quis dizer com “aumentar a cabeça para o total”. Nós destruímos, nós apavoramos, nós construímos, nós encantamos. Somos nós. Não há culpa ou responsabilidade externa a nós. Na beleza e na feiura (como se essa visão binária de mundo fosse possível). É a nossa jornada conjunta. Não binária. Decolonial.

Como Guimarães termina seu infinito romance: “Diabo não há! É o que eu digo, se for… Existe é homem humano. Travessia.”

Caça de subsistência tem baixo impacto sobre biodiversidade de Unidades de Conservação na Amazônia (Pesquisa Fapesp)

agencia.fapesp.br

FAPESP

04 de outubro de 2023


Pesquisa feita em UCs de uso sustentável aponta que redução do número de indivíduos é maior em até 5 km das populações humanas; porém, é possível minimizar os efeitos negativos com estratégias de manejo

Foram instaladas 720 armadilhas fotográficas em 100 comunidades locais, dentro e fora de nove áreas protegidas de uso sustentável (foto: Ricardo Sampaio)

Luciana Constantino | Agência FAPESP – A existência de comunidades ribeirinhas e tradicionais em reservas extrativistas da Amazônia Legal não configura um risco para espécies de aves e mamíferos consideradas alvos de caça para subsistência, como mostra pesquisa publicada na revista Biological Conservation.

Porém, o estudo sugere que, para diminuir os efeitos negativos da caça de subsistência, seria importante promover estratégias de manejo, entre elas reduzir o consumo local de espécies sensíveis – como anta, queixada e mutum – e coibir o comércio de carne de caça nas áreas urbanas, priorizando principalmente comunidades locais mais próximas das cidades e em regiões de florestas de terra firme, onde a pesca em água doce e outras fontes de proteína aquática são escassas ou inexistentes.

Fruto do doutorado do analista ambiental do Instituto Chico Mendes de Conservação da Biodiversidade (ICMBio) Ricardo Sampaio, o trabalho mostrou que a redução da chamada “abundância” (uma espécie de contagem do número de indivíduos das espécies) ocorre até 5 quilômetros (km) de distância a partir das comunidades humanas.

Para o trabalho, foram usadas 720 armadilhas fotográficas em 100 comunidades locais, dentro e fora de nove áreas protegidas de uso sustentável – sendo cinco reservas extrativistas (Resex), duas reservas de desenvolvimento sustentável (RDS) e duas florestas estaduais – na região centro-oeste da Amazônia brasileira.

Geraram registros de 29 espécies de mamíferos e aves, pesando mais de cinco quilos, entre elas pacas, antas, mutuns e jacus. Em áreas onde a população desenvolve ou tem acesso a manejo sustentável de pescados, como é o caso do pirarucu na região do Médio Purus e do rio Juruá, no Estado do Amazonas, a tendência é de redução da pressão de caça sobre as espécies terrestres.

“O principal resultado do trabalho é que o fator mais relevante para alterar a diversidade, a abundância e a biomassa das espécies é a distância em relação à comunidade. Mesmo assim, detectamos que as comunidades humanas têm um impacto reduzido na biodiversidade, desmistificando algumas discussões que questionam o papel de unidades de conservação de uso sustentável para a proteção da biodiversidade. O manejo de base comunitária da fauna pode ser um caminho para garantir a segurança alimentar dessas pessoas, além de proteger a biodiversidade”, diz Sampaio à Agência FAPESP.

Os resultados foram publicados em meio à retomada do protagonismo da Amazônia nas questões ambientais e do lançamento da Declaração de Belém, que estabelece entre seus pontos o “aumento das reservas de vegetação nativa mediante incentivos financeiros e não financeiros e outros instrumentos para a conservação”. O documento foi assinado em agosto pelos líderes dos países integrantes da Organização do Tratado de Cooperação Amazônica (OTCA) durante a Cúpula da Amazônia, realizada no Pará.

“Resultados práticos, como os que obtivemos na pesquisa, ajudam a criar ambientes de discussão e processos institucionais para lidar com um tema que é tabu no Brasil – a caça de subsistência. Agora o desafio é sensibilizar os gestores sobre esses resultados e trazê-los para a prática”, avalia Sampaio.

O trabalho recebeu apoio da FAPESP por meio de projeto coordenado pelo pesquisador Ronaldo Gonçalves Morato, ex-coordenador do Centro Nacional de Pesquisa e Conservação de Mamíferos Carnívoros (Cenap) do ICMBio. Morato e seu grupo já haviam publicado outro artigo mostrando que a distância de centros urbanos e a disponibilidade de proteína de origem aquática são os fatores que mais influenciam na avaliação de como moradores de Unidades de Conservação (UCs) percebem a sustentabilidade da caça nesses locais (leia mais em: agencia.fapesp.br/38547).

Também assinam o artigo publicado na Biological Conservation o professor Adriano Garcia Chiarello, do Departamento de Biologia da Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto da Universidade de São Paulo (FFCLRP-USP), e Carlos Augusto Peres, da University of East Anglia (Reino Unido). Peres recebeu o prêmio Frontiers Planet, que elegeu os três melhores artigos científicos do mundo na área ambiental nos últimos três anos. O trabalho premiado foi divulgado na revista PNAS.

Pressões

Os pesquisadores destacam que o trabalho representa um dos esforços de maior escala usando armadilhas fotográficas para examinar as respostas da população de vertebrados à caça em regiões da floresta tropical com maior biodiversidade do mundo, a Amazônia.

O grupo aponta que a redução de animais é fruto da maior pressão de caça próximo às comunidades. Contudo os impactos negativos nas florestas ao redor, tais como maior incidência de fogo, extração de madeira e presença de cachorros domésticos utilizados para a caça também podem repelir os animais próximo às comunidades, conforme registrado para 13 espécies avaliadas.

Nesse sentido, o pesquisador conta que o estudo já rendeu resultado prático. Quando o grupo estava fazendo o trabalho de campo em uma comunidade da região do Rio Liberdade (Resex Riozinho da Liberdade), no Acre, os moradores locais discutiam a efetividade de um acordo local para a caça de subsistência, mas divergiam sobre o uso ou não de cachorros para a atividade.

Os cientistas instalaram então as armadilhas em ambas as margens do rio, onde o uso de cães era permitido (margem direita) e a outra (margem esquerda) sem essa técnica. Ao recolher as imagens e apresentar à comunidade, viram que havia mais animais selvagens, chamados pelos próprios moradores locais de “bichos de carne de caça” ou simplesmente “caça”, onde o cachorro não era empregado. “Na reunião havia mulheres, crianças, lideranças locais. Mesmo morando em áreas de floresta, muitos viram pela primeira vez algumas espécies animais por meio das imagens das armadilhas”, lembra Sampaio.

Ele conta que depois de alguns meses recebeu uma minuta de reunião em que as imagens subsidiaram a decisão coletiva de não usar mais os cachorros de caça na comunidade. “Posteriormente essa decisão foi adotada no plano de manejo da unidade de conservação, que tem as regras definidas pela própria comunidade. Esse foi um resultado positivo na tomada de decisão local e na conservação da biodiversidade”, comemora o pesquisador, que defende aliar o conhecimento científico ao tradicional das populações locais, especialmente ribeirinhos e indígenas.

De acordo com a legislação, as reservas extrativistas são espaços territoriais que visam assegurar a proteção dos meios de vida e a cultura de populações tradicionais, como ribeirinhos, indígenas e quilombolas, bem como assegurar o uso sustentável dos recursos naturais da área.

As populações desses locais podem ter sua fonte de renda baseada no extrativismo e, de modo complementar, na agricultura de subsistência e criação de animais de pequeno porte. As áreas das Resex são do poder público e é proibida a prática da caça amadora ou profissional.

O artigo Vertebrate population changes induced by hunting in Amazonian sustainable-use protected areas pode ser lido em: www.sciencedirect.com/science/article/abs/pii/S0006320723003075.

‘Accelerator’ Artissima marks its 30th anniversary (The Arts Newspaper)

Italy’s leading contemporary art fair embraces its ‘start-up’ ethos

Franco Fanelli

1 November 2023

Original article

The Artissima fair, at the Oval Lingotto in Turin, features 181 galleries from 33 countries this year, including 39 newcomers mostly from outside Italy
Edoardo Piva
The Artissima fair, at the Oval Lingotto in Turin, features 181 galleries from 33 countries this year, including 39 newcomers mostly from outside Italy
Edoardo Piva

Artissima, Italy’s leading contemporary art fair, has often looked to the future and sometimes even anticipated it, both by identifying emerging trends, artists and galleries, and by foreshadowing developments of the art fair model. In 2007, when Andrea Bellini succeeded the fair’s founder, Roberto Casiraghi, Artissima became the first contemporary art fair to employ a director from the curatorial world—a now increasingly common practice. The fair’s current director, Luigi Fassi, who was appointed in 2022, heads up Artissima’s landmark 30th edition this month, which will see 181 galleries (58% foreign) from 33 countries exhibit at the Oval Lingotto arena on the outskirts of Turin. Longstanding participants include Jocelyn Wolff, from Paris, and Lia Rumma, from Milan. They will join 39 newcomers, including Good Weather (Little Rock, Chicago), Cristina Guerra (Lisbon), Meyer*Kainer (Vienna), Raster (Warsaw), The Sunday Painter (London) and Unit 17 (Vancouver).

The Art Newspaper: Each edition of Artissima typically has a theme. But why give a theme to an event whose primary objective is commercial?

Luigi Fassi:This year’s theme is “Relations of Care” and comes from a 2022 text by Renzo Taddei—one of the most authoritative contemporary anthropologists in Latin America and beyond. Establishing “relations of care” is what Artissima has done for almost 30 years, within several art professional communities in Turin: the gallery owners, artists of course, curators, journalists, museum directors and also the collectors and aficionados who have now, through several generations from 1994 to 2023, developed their passions into vocations. All of them have made the city’s interest in art evolve in an increasingly sophisticated way.

The theme of this year’s Artissima, which is directed by Luigi Fassi, is “Relations of Care”
Alessandro Peirone

This year, the historic section, Back to the Future, looks to the 1950s but focuses only on female artists.

Back to the Future is jointly curated by Francesco Manacorda (the newly appointed director of the Castello di Rivoli contemporary art museum in Turin)—who was the director of Artissima in2010 and 2011, and who founded the this section—and Defne Ayas, a curator of Turkish origin, based in Berlin. They are focusing their attention on geographical areas that are, above all, far removed from traditional Modernism or Western Modernisms, such as the Middle East and North Africa. Manacorda and Ayas are identifying female artists who developed extremely innovative work, which has directly influenced future generations of artists in those countries. It is a section that this year, as it has been in the past, strongly demonstrates the ability of the fair to engage institutions and exhibition curators—it is a section that we could imagine being able to catapult straight into a museum.

Why do you often call Artissima an “accelerator”?

Artissima is first and foremost a market fair that has nevertheless become an institution due to its ability to create content, i.e. ideas and projectsbuilt directly with the artists. This term “accelerator” comes from the fair’s ability to respond to many needs, those of the collector who wishes to discover unknown galleries and artists, the curators and museum directors who need stimuli to compose the exhibition calendar of their institution. For this reason we have 39 galleries taking part in Artissima for the first time, most of them non-Italian. Last year there were 40. This produces novelty and continued attraction. I like to think of Artissima as an art world start-up for these types of galleries.

Artissima’s satellite shows outside the Oval Lingotto often cause concern among gallerists, who fear their customers will be distracted by the amount of things to see away from their stands.

It is essential for the fair to expand itself inside the Oval as well as outside the Oval, through thinking with the artists and the galleries. The exhibition The Human Condition by the Italo-Brazilian curator Jacopo Crivelli Visconti, at the Gallerie d’Italia, is dedicated to works by artists represented by the Artissima galleries, providing an extra opportunity for the artists and the dealers themselves.

We could give other examples in this sense. But everything is designed not to create distraction, but rather to deepen what is seen at the Oval.

Artissima, Oval Lingotto, Turin, 3-5 November