We asked a preeminent historian to investigate our coverage of people of color in the U.S. and abroad. Here’s what he found.
This story helps launch a series about racial, ethnic, and religious groups and their changing roles in 21st-century life. The series runs through 2018 and will include coverage of Muslims, Latinos, Asian Americans, and Native Americans.
“Cards and clay pipes amuse guests in Fairfax House’s 18th-century parlor,” reads the caption in a 1956 article on Virginia history. Although slave labor built homes featured in the article, the writer contended that they “stand for a chapter of this country’s history every American is proud to remember.” PHOTOGRAPH BY ROBERT F. SISSON AND DONALD MCBAIN, NATIONAL GEOGRAPHIC CREATIVE (RIGHT)
Race is not a biological construct, as writer Elizabeth Kolbert explains in this issue, but a social one that can have devastating effects. “So many of the horrors of the past few centuries can be traced to the idea that one race is inferior to another,” she writes. “Racial distinctions continue to shape our politics, our neighborhoods, and our sense of self.”
How we present race matters. I hear from readers that National Geographic provided their first look at the world. Our explorers, scientists, photographers, and writers have taken people to places they’d never even imagined; it’s a tradition that still drives our coverage and of which we’re rightly proud. And it means we have a duty, in every story, to present accurate and authentic depictions—a duty heightened when we cover fraught issues such as race.
We asked John Edwin Mason to help with this examination. Mason is well positioned for the task: He’s a University of Virginia professor specializing in the history of photography and the history of Africa, a frequent crossroads of our storytelling. He dived into our archives.
What Mason found in short was that until the 1970s National Geographicall but ignored people of color who lived in the United States, rarely acknowledging them beyond laborers or domestic workers. Meanwhile it pictured “natives” elsewhere as exotics, famously and frequently unclothed, happy hunters, noble savages—every type of cliché.
Unlike magazines such as Life, Mason said, National Geographic did little to push its readers beyond the stereotypes ingrained in white American culture.
National Geographic of the mid-20th century was known for its glamorous depictions of Pacific islanders. Tarita Teriipaia, from Bora-Bora, was pictured in July 1962—the same year she appeared opposite Marlon Brando in the movie Mutiny on the Bounty. PHOTOGRAPH BY LUIS MARDEN, NATIONAL GEOGRAPHIC CREATIVE (RIGHT)
“Americans got ideas about the world from Tarzan movies and crude racist caricatures,” he said. “Segregation was the way it was. National Geographic wasn’t teaching as much as reinforcing messages they already received and doing so in a magazine that had tremendous authority. National Geographic comes into existence at the height of colonialism, and the world was divided into the colonizers and the colonized. That was a color line, and National Geographic was reflecting that view of the world.”
Some of what you find in our archives leaves you speechless, like a 1916 story about Australia. Underneath photos of two Aboriginal people, the caption reads: “South Australian Blackfellows: These savages rank lowest in intelligence of all human beings.”
Questions arise not just from what’s in the magazine, but what isn’t. Mason compared two stories we did about South Africa, one in 1962, the other in 1977. The 1962 story was printed two and a half years after the massacre of 69 black South Africans by police in Sharpeville, many shot in the back as they fled. The brutality of the killings shocked the world.
“National Geographic’s story barely mentions any problems,” Mason said. “There are no voices of black South Africans. That absence is as important as what is in there. The only black people are doing exotic dances … servants or workers. It’s bizarre, actually, to consider what the editors, writers, and photographers had to consciously not see.”
Contrast that with the piece in 1977, in the wake of the U.S. civil rights era: “It’s not a perfect article, but it acknowledges the oppression,” Mason said. “Black people are pictured. Opposition leaders are pictured. It’s a very different article.”
Fast-forward to a 2015 story about Haiti, when we gave cameras to young Haitians and asked them to document the reality of their world. “The images by Haitians are really, really important,” Mason said, and would have been “unthinkable” in our past. So would our coverage now of ethnic and religious conflicts, evolving gender norms, the realities of today’s Africa, and much more.
Mason also uncovered a string of oddities—photos of “the native person fascinated by Western technology. It really creates this us-and-them dichotomy between the civilized and the uncivilized.” And then there’s the excess of pictures of beautiful Pacific-island women.
“If I were talking to my students about the period until after the 1960s, I would say, ‘Be cautious about what you think you are learning here,’ ” he said. “At the same time, you acknowledge the strengths National Geographic had even in this period, to take people out into the world to see things we’ve never seen before. It’s possible to say that a magazine can open people’s eyes at the same time it closes them.”
April 4 marks the 50th anniversary of the assassination of Martin Luther King, Jr. It’s a worthy moment to step back, to take stock of where we are on race. It’s also a conversation that is changing in real time: In two years, for the first time in U.S. history, less than half the children in the nation will be white. So let’s talk about what’s working when it comes to race, and what isn’t. Let’s examine why we continue to segregate along racial lines and how we can build inclusive communities. Let’s confront today’s shameful use of racism as a political strategy and prove we are better than this.
For us this issue also provided an important opportunity to look at our own efforts to illuminate the human journey, a core part of our mission for 130 years. I want a future editor of National Geographic to look back at our coverage with pride—not only about the stories we decided to tell and how we told them but about the diverse group of writers, editors, and photographers behind the work.
We hope you will join us in this exploration of race, beginning this month and continuing throughout the year. Sometimes these stories, like parts of our own history, are not easy to read. But as Michele Norris writes in this issue, “It’s hard for an individual—or a country—to evolve past discomfort if the source of the anxiety is only discussed in hushed tones.”
THE RACE ISSUE